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NO SELL OUT
By Jonathan Barnett
(Director Portobello Film Festival 1996 – 2020)
I’m not sure it is so important these days in this post-capitalist world where making money is the universal goal and idealism seems to have gone by the wayside, but for a long time “selling out” was the worst move an artist could make.
It was to do with honesty and credibility. If you sold out your art was hopelessly compromised, your message made meaningless, especially if it claimed to come from a dissenter’s point of view. For a lot of punks the movement ended the day The Clash signed with CBS and the Sex Pistols signed with Virgin. What price revolution when the first cheque from the establishment was eagerly gobbled up?
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TIFFANY WATT-SMITH SPEAKS:
Upside down...boy, you
turn me...inside out...and, round and round...
One thing was agreed: no one quite knew what "hypertext"
meant. On one rainy afternoon this November, Mike
Figgis, Agnes Varda, Cat Le Couteur and Simon Pummel
gathered at the National Film Theatre, under the auspices
of Scriptfactory, t turn interactive narratives in
digital film gently in Spotlight.
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